DICK TWO TON BAKER
The Music Maker of Chicago
Part 3
Fan and Friend of the Duke
The earliest press mention I've ever found about Two Ton was in the
January 1941 issue of the jazz journal Down Beat, which
described him as a "pianist and jive singer at WJJD and WIND, who
owns virtually every record the Duke Ellington band has made.
Baker, a terrific artist in his own right, recently wrote two
tunes, titled ‘The Duke's Back Again' and ‘The Duke Tunes
Up.'"
It wasn't until a few years later that Two Ton finally met his
hero, and the two quickly became lifelong friends. The liner
notes for Baker's 1972 LP state, "'Satin Doll' was written and
taught to Two Ton by Duke Ellington at a gathering at Two Ton's
home one evening almost twenty years ago [the tune was indeed
written in 1953]. For a time, Duke and Dick were the only ones
performing 'Satin Doll.'"
And Ellington, in his autobiography, Music Is My
Mistress, written in 1973, mentions Two Ton twice. Writing
about the Blue Note club in Chicago:
While it was open, between 1949 and 1970, I always called
the Blue Note the Metropolitan Opera House of Jazz. We
enjoyed a beautiful relationship with Frank Holzfeind, [the
owner,] and we played there many times. For years, we would
go in there for four weeks in the summer and for the month
of December through Christmas and New Year's, and I always
remember how Two Ton Baker would play Santa Claus the
Sunday afternoon before Christmas Day. In addition to being
the great musician he is, Two Ton Baker was the perfect
host. In size and personality, he was the perfect Santa
Claus. He would sit and play piano, and give presents to
the kids, and everybody came and brought their children.
They loved Two Ton Baker.
Eric and Mary Lee James with Two Ton and Duke Ellington at the Blue Note, c. 1952. (Courtesy of the James Preservation Trust, www.ericjames.org)
In 1972, Ellington was honored with a week-long Duke Ellington
Festival at the University of Wisconsin, Madison, and agreed to
give "master" classes on two of those days. Perhaps unsure of
himself as a piano soloist at that stage of his life, Ellington
invited stride master Brooks Kerr and Two Ton Baker to the stage
to play examples of the music he was describing. These classes
were filmed and preserved by the University; incredibly, this is
the only meaningful video recording of Two Ton Baker.
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And Two Ton didn't just play Santa Claus at the Blue Note. The club obviously thought enough of his skills at the keyboard to costar him with some of the biggest names in jazz. This playbill, probably from 1957, shows him with Gene Krupa and Dave Brubeck, presumably as an opening act or playing intermissions. Click on the image to see the full playbill, which includes Count Basie, George Shearing and Bob Scobey.
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All Over Town
In addition to being nearly an around-the-clock presence on a
major Chicago radio station, Dick Baker was constantly in front
of the public at various events (it must be conceded, of course,
that many of those events were sponsored by WGN or the
Tribune, so it was certainly in the paper's interest to
report faithfully on them and mention its own properties,
including Two Ton Baker).
Late in 2009, Kraig Moreland, a historian working on a film documentary of the Lake Bluff (IL) Children's Orphanage, which operated from 1894 to 1969, learned that Two Ton Baker came to the orphanage frequently to entertain the children. The photo here (click on it to see more) was taken in 1945, showing that he already had a soft spot in his heart for kids even before he started recording children's songs or doing a kiddie TV show.
And Two Ton's orphanage connection became even more personal--and moving--in 2015 when a gentleman named Mark Williams made his way to this web site. He spent fifteen years in a Chicago orphanage, and to this day remembers Two Ton Baker as the star of a "spectacular day in my childhood."
A September 1949 piece in the Tribune notes, "On the
air twice a day on WGN, Baker's unpredictable piano playing,
songs, and chatter are entertainment highlights to a large and
loyal audience. During a recent stage appearance at the Chicago
Theater more than 700 persons by actual count turned away when
they found that Baker would not appear that one day. So strong
an attraction has he become that he will be costarred with singer
Jo Stafford at the Chicago for two weeks starting Friday."
Two Ton seems especially to have lent his support to
war-related activities. An August 1945 article in the
Tribune, reporting that Two Ton would be the featured
performer at the 16th Annual Chicago Music Festival at Soldiers'
Field, states, "Baker has entertained at thousands of service
camps, war hospitals, and bond rallies." A September 1948 story
reported that "He holds the honorary rank of colonel, awarded him
for his tireless work at Gardiner General hospital, where he
spent more than 200 hours entertaining service men." Obviously,
Two Ton's size made it impossible for him to put on the uniform,
but he served--and served honorably.
Part 4: Two Ton in the Grooves
Return to Two Ton Baker home
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